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Artificial Intelligence (AI) is reshaping how cultural institutions engage with their collections, and the National Film and Sound Archive of Australia (NFSA) is at the forefront of this transformation. In a recent presentation, Jacqui Uhlmann, Head of Collection, and Tamara Osicka, Curatorial Operations Assistant Manager, shared insights from their pioneering AI pilot programme, exploring both the immense opportunities and the challenges that come with integrating AI into collection management.
The NFSA’s vast audiovisual collection spans decades of Australian history, comprising everything from feature films and radio broadcasts to oral histories and video games. Traditionally, curators and archivists have relied on catalogue records and institutional expertise to navigate this treasure trove. However, as the collection continues to grow, these traditional methods face significant limitations.
Enter AI tools such as facial and object recognition, speech-to-text transcription, and optical character recognition. These technologies have dramatically improved the NFSA’s ability to search and interpret their collection, unlocking content that was previously hidden or overlooked. For example, where a curator might have spent hours manually searching through archival footage, AI can now surface relevant materials in seconds.

While AI offers incredible efficiency and insight, it also brings a host of ethical and practical challenges. Sensitive content, including culturally significant Indigenous materials and explicit audiovisual content, must be handled with care. AI’s capacity for rapid and sweeping analysis raises important questions about how to prevent inadvertent exposure to distressing material.
During the AI pilot, the NFSA team discovered that traditional checks and balances embedded in catalogue records could sometimes be bypassed by AI searches. This required them to rethink access controls and ensure that both staff and systems were prepared to handle potentially sensitive discoveries.
The NFSA’s experience with AI revealed several key takeaways:
The NFSA’s pilot programme has laid the groundwork for a future where AI plays an integral role in audiovisual collection management. The team envisions AI tools that can:
As Jacqui Uhlmann and Tamara Osicka emphasised, AI is not a silver bullet—it’s a tool, one that requires careful oversight, ongoing learning, and an institutional commitment to ethical practice. The NFSA’s journey showcases not just the potential of AI, but also the importance of balancing innovation with responsibility.
For cultural institutions worldwide, the NFSA’s experience offers a valuable blueprint for integrating AI into collection management—a journey filled with discovery, reflection, and transformation.
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Learn more about how museums are using AI to revolutionise collections at MuseumNext’s Museum AI Summit.
Manuel Charr is a journalist working in the arts and cultural sectors. With a background in marketing, Manuel is drawn to arts organizations which are prepared to try inventive ways to reach new audiences.
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