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Sustainability has become an increasingly pressing issue for museums, not only in terms of the narratives they present but also in their operational and exhibition design choices. At the National Museum of Singapore, a commitment to sustainability has been embedded within its latest initiative: Plastic: Remaking Our World, a travelling exhibition from the Vitra Design Museum.
In a recent presentation at the Green Museums Summit, Alicia Chew and Jan Yap from the National Museum of Singapore provided an in-depth look at how the institution has developed innovative content and programmes that encourage audiences to engage with environmental issues in meaningful ways.
Plastic has become one of the most ubiquitous materials in modern life. While its affordability and versatility have made it indispensable, its environmental impact has led to increasing scrutiny.
Plastic: Remaking Our World examines the historical evolution of plastic, its role in contemporary society, and potential sustainable alternatives. As the exhibition makes its first stop in Asia, the National Museum of Singapore has taken this opportunity to create additional educational and participatory experiences that deepen audience engagement with the topic.
A key addition to the exhibition at the National Museum of Singapore is the Plastics in Our Lives interactive educational zone. Designed to encourage visitors to think critically about their daily interactions with plastic, this space takes the form of a domestic environment filled with everyday objects. Some of these objects contain plastic in ways that may not be immediately apparent, challenging visitors to reconsider the material’s pervasiveness in their lives.
The educational zone integrates touch sensors, a game element, and an interactive microplastics artwork to engage audiences of all ages. By gamifying the learning experience, the museum seeks to foster a deeper understanding of sustainability challenges while making the subject accessible and engaging.

Beyond the content of the exhibition, the National Museum of Singapore has also explored ways to make the display itself more sustainable. As Alicia Chew and Jan Yap explained, the museum has taken several steps to reduce waste and promote sustainable practices, including:
By embedding sustainability not just in the exhibition narrative but also in its execution, the National Museum of Singapore sets an example for other institutions looking to adopt more responsible exhibition practices. As museums worldwide grapple with the challenge of reducing their environmental footprint, initiatives such as these demonstrate that meaningful change can be achieved through thoughtful design, innovative partnerships, and community collaboration.
For museums seeking to take similar steps, Alicia Chew and Jan Yap emphasise the importance of engaging with local sustainability players. By working with artists, social enterprises, government agencies, and corporate partners, museums can leverage existing expertise and resources to create more impactful and environmentally responsible exhibitions.
As the museum sector continues to reflect on its role in sustainability, Plastic: Remaking Our World at the National Museum of Singapore provides a compelling case study of how exhibitions can go beyond raising awareness to actively modelling and promoting sustainable practices. By integrating education, community engagement, and sustainable materials, this initiative showcases how museums can contribute to broader conversations on environmental responsibility while inspiring action at both individual and institutional levels.
With future exhibitions planned around sustainability, the National Museum of Singapore continues to pave the way for innovative approaches that balance storytelling with environmental consciousness. For museum professionals, this case study serves as a valuable reminder that small steps—whether in exhibition design, material choices, or programming—can collectively lead to a more sustainable future for the sector.
Manuel Charr is a journalist working in the arts and cultural sectors. With a background in marketing, Manuel is drawn to arts organizations which are prepared to try inventive ways to reach new audiences.
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