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In an era where visual imagery dominates communication, Fotomuseum Antwerpen (FOMU) is leaning into this trend with an innovative two-part programme designed to bridge the gap between museums and the next generation of image-makers. The initiative demonstrates how cultural institutions can remain not only relevant but essential in an ever-evolving digital landscape.
This article based on a MuseumNext presentation by Sara Golijanin from the Museum’s Public Programme Team. Here we explore how FOMU’s approach combines hands-on workshops, meaningful conversations, and collaborative exhibitions to foster connections between creative professionals and young audiences. With a focus on accessibility, engagement, and education, the initiative is not only redefining how museums interact with younger generations but also setting a benchmark for other institutions to follow.
At the core of FOMU’s programme are four visionary guests invited annually to share their expertise. These individuals—who may include photographers, videographers, art directors, or content creators—are selected not only for their creative talents but also for their ability to inspire and connect with diverse audiences. With two national and two international guests each year, the programme ensures a blend of local insight and global perspectives.

The programme unfolds in two distinct parts: Atelier Sessions and Chitchats. The Atelier Sessions offer an intimate, hands-on experience where young creatives can engage directly with the guest experts. These workshops are designed to foster meaningful dialogue, provide professional feedback through portfolio reviews, and encourage collaborative learning. Whether participants are photographers, writers, or designers, the sessions are tailored to nurture their creative ambitions.
In the evening, the focus shifts to the Chitchats—open conversations that bring a broader audience into the fold. These sessions allow attendees to engage with the guest speakers on a deeper level, discussing themes ranging from representation and image literacy to the ethics of visual storytelling. By breaking down the barriers between artist and audience, these conversations create an inclusive space for critical reflection and shared learning.
FOMU’s collaboration with partners Het Bos and Initials LA further strengthens the impact of this initiative. Het Bos, a cultural institute known for its commitment to diverse creative projects, provides exhibition space, while Initials LA contributes its expertise in photographic production. Together, these partnerships enable one of the four annual guests to showcase their work in a dedicated exhibition, bringing their artistic vision to life in a public setting.

This programme is not just about engaging individuals on a professional level—it is also about fostering a sense of community. Recognising the financial barriers that often prevent young people from accessing cultural spaces, FOMU has introduced a Community Card. This initiative offers affordable annual access to workshops, exhibitions, and events, removing financial obstacles and encouraging deeper participation.
FOMU’s two-part programme is a masterclass in how museums can respond to the needs and interests of younger audiences. By creating opportunities for dialogue, collaboration, and creative expression, FOMU is positioning itself not just as a museum but as a dynamic hub for innovation and connection. For other cultural institutions seeking to build lasting relationships with younger generations, FOMU offers a powerful blueprint for success.
As museums worldwide grapple with questions about relevance and engagement in the digital age, FOMU’s approach serves as an inspiring example of what is possible when institutions listen, adapt, and embrace new ways of connecting with their audiences.
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Sara Golijanin from Fotomuseum Antwerpen (FOMU) spoke at the Creative Museums Summit 2024.
Manuel Charr is a journalist working in the arts and cultural sectors. With a background in marketing, Manuel is drawn to arts organizations which are prepared to try inventive ways to reach new audiences.
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