Fresh ideas from museums around the globe in your inbox each week

How do you bring forgotten masterpieces back to life? For Sweden’s National Museum in Stockholm, the answer lies in an innovative donor initiative that bridges the gap between state funding and conservation needs. Over the past three years, the museum’s Donor Circle has transformed the way it cares for its collection, helping to restore and exhibit artworks that were once left unseen.
Despite being state-owned, the National Museum faces a common issue: while government funding covers about 70–75% of its fixed costs—such as salaries, rent, and utilities—there is no provision for acquiring or conserving artworks. This leaves the museum reliant on ticket sales, retail revenue, corporate partnerships, and private donations to address these critical needs.
Anna Jansson, the museum’s Head of Donations, Partnerships, and PR, explains, “The Swedish public just assumes that everything is funded by the state. And it’s important from a long-term perspective to talk about what you can do with private funding and what you can’t do without the private funding.”
This funding gap isn’t new. Since 1911, the Friends of the National Museum has supported the acquisition of new works for the museum’s collection. However, with over 700,000 objects to care for, from Renaissance paintings to contemporary design, the need for more specialised support has grown increasingly urgent.
The idea for the Donor Circle came from one of the museum’s long-standing supporters, who proposed a smaller group of donors with a focus on specific projects and opportunities for social engagement. From the start, the museum was clear about its goals: the Circle would not compete with the Friends of the National Museum, and private funding would never replace state contributions. Instead, the Circle would focus on conservation research—an area where a small-scale initiative could make a significant impact.
“We quickly identified that we should not compete with the Friends of the National Museum,” Jansson shared. “And also very important that private donations should not replace state funding.”
Each year, the museum identifies priority objects from its collection that require extensive conservation work. These objects are presented to the Donor Circle, whose members vote on which projects to fund. The initiative has not only helped restore important artworks but also strengthened the relationship between the museum and its supporters.

One of the Circle’s most notable successes is the restoration of a pivotal Swedish painting. Once hidden in storage due to severe cracking and delamination caused by the artist’s experimental techniques, the artwork has now been fully restored and is back on display.
Jansson highlighted this project during her presentation: “This is actually quite a dramatic story because of the technique employed by the artist. But now, as you can see, we can exhibit it again.”
Thanks to the Donor Circle, the museum was able to conduct detailed technical research and implement innovative methods to stabilise the painting. This project also underscored the importance of knowledge-sharing. “We take on to always share the results we get from each conservation research project with colleagues… not just in Sweden but internationally,” Jansson explained.
The success of the Donor Circle lies in its collaborative approach. “It’s a relationship, not a business transaction,” Jansson emphasised. “Listen to them and be open-minded… What would they be interested in funding and perhaps more importantly, what are they not interested in funding?”
Unlike traditional donor programmes that might rely on lavish events, the Circle focuses on meaningful engagement. Jansson shared that, “Our donor circle is less interested in champagne and more interested in private lectures.”
The initiative has also fostered closer collaboration within the museum. Each conservation project is managed by a team that includes curators, conservators, and communication staff. “These projects are so goal-oriented,” Jansson noted, “and you have someone to answer to.”
This approach not only delivers results but also creates opportunities for junior conservators to gain valuable experience. “More junior conservators can come to the museum and work and get paid,” she said, highlighting another benefit of the initiative.
Reflecting on the journey, Jansson offered several key takeaways for museums considering similar initiatives:
She also emphasised the importance of transparency. In Sweden, where state funding is often assumed to be comprehensive, sharing the realities of museum finances and the role of private contributions has been crucial.
For the National Museum, the Donor Circle has been a game-changer, demonstrating that even a small-scale initiative can have a big impact. By focusing on specific projects, engaging donors in a meaningful way, and sharing the results widely, the museum has unlocked new opportunities to care for its collection and inspire its audience.
Jansson concluded her talk with encouragement for other museums: “A small-scale donor circle can make a big impact if you can identify the right projects and how to share the results and also communicate them.”
For museums worldwide, the story of Sweden’s Donor Circle is a reminder of the power of partnerships—and the potential to turn challenges into opportunities.
Fresh ideas from museums around the globe in your inbox each week